Samenvatting
'Aberrant Nuptials' explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.
Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.
Inhoudsopgave
Introduction Paulo de Assis Part 1: Sonic Nuptials: Sounds and Gestures of Time Deleuze’s Syntheses of Time and Their Aesthetical Prolongations: Form, Style, and Achievement Jean-Marc Chouvel When Sounds Encounter One Another . . . Zsuzsa Baross Geomusic, Ecosophy, and Molecular Oscillators Ronald Bogue East Meets West in France: Catching the Musical Scent Edward Campbell Topography of the (One): Reflections on Musical Time in Composition and Performance Stefan Östersjö, Christer Lindwall, Jörgen Dahlqvist In the (Immanent) Event of Musical-Philosophical Thought Steve Tromans Music as a Reservoir of Thought’s Materialisation: Between Metastaseis and Modulor Marianna Charitonidou Machinic Propositions: Artistic Practice and Deterritorialisation Henrik Frisk, Anders Elberling A Ligetian Way to Make a Piano (or a Piano Piece) Stutter Gustavo Rodrigues Penha When Time Begins To Riot: Rhythm and Syncopation in the Work of Jonathan Burrows and Matteo Fargion Jonas Rutgeerts Anne Teresa De Keersmaeker: An Unbridled Activity of Vital Lines Oleg Lebedev Sonic Forms of Capture Terri Bird Part 2: A Little Treatise on Becomology The Wasp and the Orchid: On Multiplicities and Becomology Anne Sauvagnargues Beyond the Death-Drive, beyond the Life-Drive: Being-toward-Birthing with Being-toward-Birth; Copoiesis and the Matrixial Eros—Metafeminist Notes Bracha L. Ettinger Thought beyond Research: A Deleuzian Critique of Artistic Research Kamini Vellodi An Avant-Garde “Without Authority”: The Posthuman Cosmic Artisan in the Anthropocene jan jagodzinski Pure Immanence and the Algorithmic Era: An Aberrant Nuptial Emilia Marra Mining the Aesthetico-Conceptual: Deleuze, Derrida, and Artistic Research Spencer Roberts Experimenting in Relation to the Anthropocene: An Image of Earth-Thought from a Symptomatic Earth Line Paolo Vignola Logic of Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and Guattari Guillaume Collett Listening for a New Body: Thinking Change and Learning Reason with Difference and Repetition and Spinoza: Practical Philosophy Antonia Pont Outside-Interior: ?Interior Suzie Attiwill Encountering Fashion as a Practice of Subjectivation Andrea Eckersley A Theory of Becoming: Artistic Spatio-Temporal Experiences after Gilles Deleuze, Alain Badiou, and Brian Massumi Liana Psarologaki Part 3: A Garden of Small Nuptials: Images, Movement, and Fabulations Mythopoesis, Fabulous Images, and Memories of a Sorcerer Simon O’Sullivan The Philosopher as a Line: A Deleuzian Perspective on Drawing and the Mobile Image of Thought Janae Sholtz For a Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro Freitas Lucia D’Errico Elegy to an Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation Barbara Bolt Sound and Image in Artistic Flooding: Vladimir Tarasov, Bill Viola Lilija Duobliene Fictioning a Thought of Performance Tero Nauha Milieus of Locality: The Aesthetic of the Point of View Sara Baranzoni “A Life as an Open Landscape”: Systems of Codetermination in Three Robotic Shows Zornitsa Dimitrova Interspecies Sonification: Deleuze, Ruyer, and Bioart Audronė Žukauskaitė Desire, Temporality, “Liquid Perception”: Deleuze and the Films of Marguerite Duras Katie Pleming Photogenesis—Brokering World Peter Burleigh Sculpture Installation: Garden of Small Nuptials Elizabeth Presa Appendix Notes on Contributors Index
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