Samenvatting
What does it mean to live under occupation? How does it shape the culture and identities of European nations? How does it affect the way we write and read literature? These are fundamental questions that set the stage for an in-depth exploration. Focusing on the literary works of writers from various European countries that were occupied by Nazi Germany, the Soviet Union or the Allies during and after World War II, the contributions in this edited volume seek to unravel the complex interplay between historical circumstances and literary expression. Centered on the concept of occupation literature as a genre in its own right, differentiating it from 'war literature', the book navigates this subtle distinction, drawing connections with the Holocaust novel and extending the timeframe beyond Nazi occupation. European Literatures of Military Occupation argues that the multifaceted experiences of occupation have played a pivotal role in shaping European identities. Moreover, the volume links European identities to the experience of occupation by unveiling the complex and diverse ways in which writers respond to historical and political circumstances. Introducing the concept of 'affective realism' and exploring its intersection with the occupation novel, the book provides nuanced insights into the intricate relationship between history, identity, and literature. It combines theoretical perspectives relevant to researchers in the humanities with detailed case studies, generating a truly interdisciplinary perspective, enriched by a strong transnational dimension, creating a cohesive narrative that intervenes innovatively in the fields of literary, cultural, and historical criticism.
What does it mean to live under occupation? How does it shape the culture and identities of European nations? How does it affect the way we write and read literature? These are fundamental questions that set the stage for an in-depth exploration. Focusing on the literary works of writers from various European countries that were occupied by Nazi Germany, the Soviet Union or the Allies during and after World War II, the contributions in this edited volume seek to unravel the complex interplay between historical circumstances and literary expression. Centred on the concept of occupation literature as a genre in its own right, differentiating it from 'war literature', the book navigates this subtle distinction, drawing connections with the Holocaust novel and extending the timeframe beyond Nazi occupation. European Literatures of Military Occupation argues that the multifaceted experiences of occupation have played a pivotal role in shaping European identities. Moreover, the volume links European identities to the experience of occupation by unveiling the complex and diverse ways in which writers respond to historical and political circumstances. Introducing the concept of 'affective realism' and exploring its intersection with the occupation novel, the book provides nuanced insights into the intricate relationship between history, identity, and literature. It combines theoretical perspectives relevant to researchers in the humanities with detailed case studies, generating a truly interdisciplinary perspective, enriched by a strong transnational dimension, creating a cohesive narrative that intervenes innovatively in the fields of literary, cultural, and historical criticism.
Inhoudsopgave
Acknowledgments European Literatures of Military Occupation: An Introduction to the Topic and Terminology of the Genre Matthias Buschmeier PART 1 LITERATURE AND THE WORLD: OCCUPATION AS A EUROPEAN EXPERIENCE Introduction to Part 1 Jeanne E. Glesener Chapter 1. SCARS. Writing on Occupation: The Reality Effect of Narrative and Psychogeographical Space, or The Case of Wil Jeroen Olyslaegers Chapter 2. Affective Realism: The Literature of Occupation through Regions and Ages − Vercors’ Le Silence de la mer (1942), Willem Frederik Hermans’ De donkere kamer van Damokles (1958), and Cătălin Mihuleac’s America de peste pogrom (2014) Matthias Buschmeier PART 2 CULTURAL SPACES OF OCCUPATION Introduction to Part 2 Jeanne E. Glesener Chapter 3. Military Occupation as Tourism? Griechenland. Ein Buch aus dem Kriege (1942) and Ölberge, Weinberge (1953) by Erhart Kästner Christopher Meid Chapter 4. Banished from an Occupied Exile: Rudolf Borchardt’s Anabasis Fragment (1944) Jan Andres Chapter 5. German Writers as Occupiers and Occupied: Franco-German Representations in the Works of Felix Hartlaub (1940–1941) and Tami Oelfken (1945–1955) Stefanie Siess Chapter 6. Literary Representations of Occupied Cities: Tbilisi, Paris, and Luxembourg Atinati Mamatsashvili Chapter 7. Semantics of Occupation(s) in Pierre Grégoire’s Europäische Suite Trilogy: Catholicism, Anticommunism, and the Idea of Luxembourgish Exceptionalism Daniela Lieb PART 3 WRITING UNDER/AGAINST OCCUPATION: STRATEGIES OF RESISTANCE AND PROPAGANDA Introduction to Part 3 Jeanne E. Glesener Chapter 8. Setting the Stage for an Immediate Historicization? Early Sense-Making of the Allied Occupation of Italy between Fictionalized Accounts, War Novels, and Propaganda (1943–1947) Stefan Laffin Chapter 9. Literature from Below: Literary Competitions in Serbia (1941–1945) and in the Protectorate of Bohemia and Moravia (1939–1945) Aleksandar Momčilović Chapter 10. Translating Occupied Poland into English, 1939–1955 Joanna Rzepa Chapter 11. How to Handle the New Occupiers? Margret Boveri’s Amerikafibel für erwachsene Deutsche: Ein Versuch, Unverstandenes zu erklären (1946) Sandra Schell PART 4 REMEMBERING OCCUPATION Introduction to Part 4 Jeanne E. Glesener Chapter 12. “It was over. Düsseldorf was dead”—Narratives of a Renewed Occupation Klaus-Michael Bogdal Chapter 13. Reflections on Twentieth-Century Military Occupations in Latvian and Estonian Novels Benedikts Kalnačs Chapter 14. Occupied by Comrades? The Concealed Story of the Soviet Military Presence in Mecklenburg and Western Pomerania after 1945 in Uwe Johnson’s Jahrestage (1970–1983) Meinolf Schumacher List of Contributors
Thuiswinkel Waarborg