Fragment
(...) Sometimes, the metaphysical question concerning the ultimate ground of being has been restricted to the mere technical question concerning its ultimate building-stones. This is a mistake, because reality is not a construction. Kant says that we can only understand nature to the extend in which we are able to construct it by ourselves; which means, properly, that we are unable to understand nature, because we cannot (re)construct it. Spinoza distinguishes between what is causa sui (God, Nature) and things that have an exterior cause. Also Gödel distinguishes between the creation of something (- out of nothing) and the construction of something (- out of something else which already has been created). Concerning these important warnings, Kant, Spinoza and Gödel have been preceded by Augustinus, who criticises the unbelievers: "Thus, forsooth, [they reason] from their carnal familiarity with the sight of craftsmen and house-builders, and artisans of all descriptions, who have no power to make good the effect of their own art unless they get the help of materials already prepared. And so these parties [i.e.: the unbelievers] in like manner understand the Maker of the world not to be almighty, if thus He could not fashion the said world without the help of some other nature, not framed by Himself, which He had to use as His materials". Even in the case that God created things out of something (- e.g.: 'clay', 'matter unseen', 'matter without form'), He has been the creator of it - thus says Augustinus.
Apart from art and ethics, we can say that all man-made things are tools, or: extensions of our physical bodies. Our world is an instrument: it is our common, extended body. From nature we recruit the raw material or the elements for that instrument.
Because our world is a (man-made) construction, we tend to conceive nature in the same way: we tend to see nature as a construction that we can break up into elements in order to build up our world with them. But this is a mistake. Nature in its turn has not been built out of elements that have been retrieved from still somewhere else. Where we do believe so, we conceive ourselves as potential (re)constructors of nature, or as Gods.
Carnap disapproves of metaphysics for the reason that its propositions are not experimentally verifiable. But the claim of applicability of this principle to the whole of reality, actually veils the conviction that reality can be (re)produced. In Logical Positivism, in Physicalism and in Micro-reductionism, we deal with the misconception Augustinus, Kant, Spinoza and Gödel warn against: the misconception in which man sees himself as God. He is not God, says Spinoza, because he is not causa sui.
By our conception, reality finds its foundation in its destination: all the ‘lower’ things come out of the ‘higher’ wherein they have their reason and their ultimate sense of being. It is our conviction that only in this way, a satisfactory ‘explanation’ of reality as a whole can be obtained.
Opposed to this conception stands the nowadays as successful as it is malicious conception concerning reality by physicalism, the newest form of materialism, in which things have been turned upside down. Materialism did not understand the cautious words of mentioned philosophers.
Physicalism is principally a part of atheism, because atheism accepts coincidence while denying any form of teleology: it rejects a priori the question of sense and pretends to find satisfaction in a reductionistic know-how about micro- and macrocosm, which in fact are conceived as if they were nothing more than an accidental happening. It is ethically irresponsible that physicalism leaves man orphaned. In this text however, physicalism will get our attention in the perspective of its cognitive irresponsibility.
In the perspective as is being developed here, we will express some thoughts concerning physicalism. As a model for critique, we will consider the ‘theory of forms’ by Etienne Vermeersch. We will give a resume of Vermeersch’s basic intuitions. This will be followed by some general objections. We consider Vermeersch’s own version of micro-reductionism, his conception concerning reality in relation to his conception concerning philosophy, his ‘theory of forms’ and, more generally, his physicalism. We point out some failures in Vermeersch’s concept of culture and we fight his thesis of the ability in principle to construct human beings. Eventually, we demonstrate the irrelevance of Vermeersch’ aesthetics which is based on his theory of forms. (...)
×